It was a mild and pleasant autumn day in Bilbao and the unusual structure of the Guggenheim museum drew a strange silhouette against a background of emerald hills and mountains. Javier Otaola and I found ourselves on the second floor of the museum, in front of a sculpture by Jorge Oteiza entitled “Caja Metafísica por Conjunción de Dos Triedros- Homenaje a Leonardo”. The sculpture consists of a steel box with openings on both sides. A seemingly incomplete structure. While I was wondering what the hell this could mean, if anything, my host and friend Javier Otaola began to speak:
Metaphysical Box for the Conjunction of Two Triangles - Tribute to Leonardo. Jorge Oteiza
OTAOLA: As humans we are “Entities” conditioned by our physicality, by the limitations of time and space, we are ourselves and our circumstances as Ortega y Gasset said. But we are also “Beings”, potentiality, incompleteness. Look at this box, Darren…
ME: It has a definite basic structure but it is open…
OTAOLA: Correct. We are also open as human beings. Open to the possibility that our consciousness grants us. Human beings are incomplete and imperfect. This is both a curse and a blessing.
ME: Perhaps a curse… but a blessing?
OTAOLA: Consider this: a tiger is perfect in its “tigricity.” A tiger has no other possibility than to be a tiger in all its fullness. In that sense it is perfect. But it also lacks our capacity to develop, to create, to become something else.
ME: Is this a reference to Heidegger’s philosophy of Being?
OTAOLA: Yes! To understand what it means to be an authentic human being, then it is essential that we constantly project our life into the horizon of our death, what Heidegger calls “being-towards-death.” Heidegger uses what seems to be a strange and complicated language like “Dasein” or “being in the world” to talk about the self in order to eliminate all prejudices and assumptions. Our normal language is too problematic, subjective, full of prejudices and does not allow us to discuss the true essence of things. We are Beings in time and therefore Beings towards death. Precisely, knowing this gives us the need to be authentic, to build ourselves, to determine our options, thus opening ourselves to new possibilities.
ME: New possibilities that the tiger, despite its perfection, does not have…
OTAOLA: Correct!
ME: And returning to sculpture… what do you know about Oteiza? Do you think he would also be making the same reading of his work as you?
OTAOLA: Oteiza was one of the most important Basque sculptors of recent times. Oteiza was interested in emptiness and the emptiness that a sculpture creates in space. Emptiness organizes space and also creates space. Perhaps we could equate this to the possibilities offered to us by our being towards death and our being here: the opportunity to become.
ME: So, this is truly a message of hope. Even a philosophy of hope! We are bound by a set of circumstances but, like this metaphysical box, we are open to all kinds of possibilities!
OTAOLA: Yes! And each of us is unique since each of us is like this box but our openings and circumstances and our being in the world are totally different. We are conditioned as Entities but as Beings we are free. That is why I consider myself a joyful pessimist.
ME: A joyful pessimist?
OTAOLA: Not only do our defects and imperfections constitute our possibilities and openness, thus allowing for creativity and self-construction, but we must also understand pessimism as an attitude that can uniquely and necessarily lead to optimism. Pessimism is open to optimism, while optimism is subject to pessimism. That's why I prefer to be a cheerful pessimist. In this way we don't have to expect the worst, but we have to be prepared to face it, and when good things happen unexpectedly, we cheerfully lean towards optimism.
ME: This is definitely a very good policy. And it follows that our humanity, however flawed, is actually an empty space that we can create. In this way we can face our limitations despite them.
OTAOLA: Indeed. And not so bad! The possibilities are endless in both directions. Life must be lived: worse than dying is giving up on life. We must treasure and enjoy the good moments of conversation and work, of love and friendship. We are here to live life carefully, yes, but also with passion.
Suddenly, the Guggenheim had vanished and had become the backdrop for the most interesting of conversations. It was time for a glass of wine and a pintxo.
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